Thursday 16 August 2012

Love Letters from Mars

I sat open-mouthed watching Carte Blanche recently as the programme gave the run down on ‘Curiosity’, the aptly named buggy which was scheduled to land the following day on Mars. This compact car-sized biochemistry lab has been travelling for the past seven months through approximately 150 million miles of space – a journey which would take the average jetliner 17 years of non-stop flying to achieve.

I am informed that messages to Curiosity take an average of 12.8 minutes one way. This means that scientists on earth had to foresee any eventuality or disaster 25 minutes before it happened. As an erstwhile Latin teacher, I was incredulous. How seriously bright do these scientists have to be? Who invents a machine like this?

For two years, Curiosity is going to send test soil samples, take photographs and wheel itself around Gale Crater.  All information gleaned will be sent back  millions of miles to the eagerly waiting NASA scientists in California.

During a recent assembly, I reminded the boys of the remark made by Archbishop Tutu to them last term when he challenged the school that somewhere in our ranks there could be a Nobel Prize Winner.  As I was speaking to the assembly, I wondered whether there was also  among these 840 boys, someone who would one day say – as did one of the scientists interviewed on the Carte Blanche show -  that space exploration was something he had wanted to do ‘since he was a boy’?   Was there someone in the hall who would one day help with space exploration?  Create a new app for a tablet?  Discover a workable cure for cancer?  Devise an alternative form of safe and clean power? Design an innovative bridge?

I left the hall with shoulders proud.  What an awesome, inspiring and exciting vocation teaching is! A teacher somewhere had enthused a pupil to aspire to aspire to become that NASA scientist whom we saw on Carte Blanche.  How many boys in our classes, unbeknown to us, are similarly being stimulated and enthused to make a difference to our planet and to our communities?

As educators, in the truest sense of the word, we bear the responsibility of stimulating curiosity (with a small ‘c’!), of stirring inquisitiveness, of arousing passion.  Above all, the good teacher must create uncertainty in every lesson he/she presents.  There is more than one interpretation to a poem; more than one version to an event in History; more than one way to solve a Maths or Science problem.  Our pupils must be taught to challenge prevailing beliefs and ideas. Unchallenged dogma brought the world National Socialism, Apartheid, religious schisms.

I went back to some of the comments which pupils had written in their  recent appraisals of their teachers last term – some of which I have commented on in a previous Blog ‘To Sir with Love’.

He is not fair,’ commented a Grade 11 boy. ‘He is making us self-study.’

‘He gives us no notes,’ complained a Grade 10 pupil. ‘I find myself making my own notes.  I might as well not attend his class.’

One Grade 11 pupil was insistent that he needed a teacher who ‘would just give us the work so that we don’t have to think….’

A new Grade 8 boy grumbled that he did not like high school as his teacher persisted in explaining the work after they did homework rather than before.

‘I really don’t enjoy him,’ protested another Grade 8 about his teacher. ‘He keeps on making us read books.’

It is probably not what the boys intended, but to my mind they are describing outstanding teachers!

A recent letter from a parent after the June exams showed that we still have coaching of adults to do as well.  ‘My son hasn’t been given the same notes as another class,’ he reproached me.  I sniffed the possibility of a conspiracy theory at work among the Grade 11 history teachers where some boys were being encouraged to think and lesser lights merely spoon-fed….

Perhaps it is time for my Latin background to come to the fore:

The word education is derived from two Latin words : ‘e’ meaning ‘out of’ and ‘duco’  meaning ‘to lead’.  The responsibility of teachers is to ‘lead’ knowledge ‘out of’ the students - not merely fill them with information.  I once read a comment somewhere that true education was ‘lighting a fire, not filling a pail.’

‘Filling pails’ was surely what mass education was doing in Victorian times.

Are we being fair on our children if this is all we are doing in 2012? We are now 12% of the way through the 21st Century and we have to be careful that we are not stuck in 20th Century thinking – which it seems some boys in their comments above would love.  Those of us aware of the ways of boys, know that most of them would like nothing more than to take the easy route.   It is our role as adults to show them that Emerson’s  ‘road less travelled’ is actually preparing them better to be citizens ready for the real challenges of this 21st Century.

Tablets of the 19th Century
 and the 21st Century
The buzz word these days is the ‘flip classroom’.  What was previously done in classrooms in the past, we must now encourage our pupils to do at home – which now becomes an extention of the classroom.  ‘I did all my homework at school, Mom!’ must be a refrain discouraged in our homes today.   Homework in our 21st Century school must be where the day’s work and discussions are reviewed, where reading and research is conducted and where our pupils come to class on the next day ready to question, query, discuss and argue.

In a recent email to me by Jeff Fearon, past Chairman of the Board of Governors and currently lecturing to Science students at UCT while researching his PhD, he said:

We run extra classes on Saturday mornings for physics students who are battling with the work here at UCT. But there is no indication that this leads to any noticeable improvement. Indeed, there is every reason to believe that a false sense has been created that learning is taking place. What is actually happening is that students are just sitting there watching the tutors and lecturers solve more problems on the board... which is something they have already seen in lectures.

Until the student turns off the music, switches off the TV, puts the cell phone aside and in a moment of deep thought asks himself, "What does this equation actually say?" "What does this sentence really mean?" "Why does this event relate to that one?"... no progress is made.

At school, teachers often give explanations in class.  But often, even better work is happening outside the classroom.  For a number of years our Academic Committee have organised Bridging the Gap  sessions where senior academic pupils are at hand after school to give  assistance in any subject.   I was thrilled this year when two of our Prefects, Niall Marinus and Samir Daniels, organised Matric afternoon sessions where matric boys discussed academic issues among themselves  and helped one another in problem areas.

Now THAT is true education in the classical tradition of the ancient Greek Philosophers!

At a recent speech to Principals and Chairs of Governing Bodies in Cape Town, Penny Vinjevold, Superintendent General of Education in the Western Cape finished her address by saying, ‘ What good will it do a pupil if he finishes off his school career as a first team rugby player, but cannot write a love letter?’

That was probably not the fire to which I was alluding earlier on ….  but her point is taken nevertheless. What a wonderful legacy we current educational leaders would leave if our pupils departed our school gates after twelve years of schooling fully literate, numerate, emotionally mature, inquisitive and passionate young adults.

Maybe one of the Wynberg 2012 pupils will one day write a love letter back from Mars – from a space station he had helped to conceive.

Wednesday 1 August 2012

From Caesar to Finch

'J. Pierrepont Finch'  played here by Stefan Botha leads an all star Wynberg cast - photo courtesy Mike Leresche
A search through the records of the Tasker Museum, shows that – apart from short one act plays - the first recorded major dramatic production at Wynberg was Shakespeare’s ‘Julius Caesar’ produced by Mrs Erica Tasker in 1942.  Wife of the Wynberg legendary history teacher, Eric Tasker, it paved the way for a dramatic tradition at the school which has grown stronger over the ensuing  70 years.

Wynberg's 1942 production of Julius Caesar
Those early years saw a number of Shakespearian and classical productions.  I have no doubt that the aim then was similar to the aim today  -  to ensure that as many pupils gained a dramatic experience as possible.  I wonder how many pupils of this school  since then have gained the necessary confidence to speak in public because of the opportunities offered to them by innumerable producers on the Wynberg stage?

Cultural opportunities have always been a feature of Wynberg life with many pupils over the years acquiring a life-long love of music because of the passion and commitment of teachers like Arnold Lorie, Vetta Wise  and latterly Brian Botha and Peter Catzavelos.

It was not only music. In a recent email to me from Rob Lumb (1960) he recalls Wynberg having its very own Billy Elliot in the 1950’s in Dudley Thompson who was awarded an Honours Award in the annual prizegiving for his feats in ballet.  The Honours Award is awarded annually by the school to the pupil ‘who has brought honour to the school by an outstanding performance’. Who says that a boys’ school is only about sport?

In the 1970’s John Baxter revived the tradition of Wynberg producing Shakespeare plays. Hundreds of boys (and girls), who would not normally have volunteered to act on a stage, were introduced to the delights of the Bard with their involvement in Richard III, Hamlet and Macbeth. Two actors who were leads in Hamlet in 1977 donated cups to Drama and today we remember their contribution when we award the Chris Luman Cup for Contribution to Drama and the Greg Brown Cup for the Best Actor. Greg is still a loyal supporter of cultural events at Wynberg while Chris keeps in regular contact from New Zealand.

John Baxter, who now has an outdoor theatre at the school bearing his name, was well known for his wicked sense of humour. Who else would have dared to cast Michael Lewis, grandson of a Jewish immigrant from Russia, as the Archbishop in ‘Richard III’? Andrew Feinstein suffered the same fate when he took on the role of Becket in 1980. Wonderful! John was always ahead of his time in ensuring cross-cultural understanding!

When Gavin Povey produced ‘Royal Hunt of the Sun’ in 1981, it really established Wynberg as a dramatic force. It received rave reviews and Gavin’s production of ‘Joseph’ the following year was so good that it was invited to be performed at the Baxter Theatre. Fiona Chisholm in the Cape Times reported: ‘There is sheer joy and youthful freshness in this Wynberg production. It was a polished show which would have done credit to any professional company.’

Not to be outdone, Derek Wilson in the Argus said: ‘This production is not only a superb vehicle for inculcating a love of theatre at scholastic level, but going by its success, it has probably brought a whole new audience to the theatre.’

Hopefully we can say that about every production put on at Wynberg.

Certainly whole new audiences were brought to the Clegg Hall with a multitude of musical and dramatic productions over the years by the teachers.  The first recorded Staff Play was ‘See How they Run’, a three act farce produced by John Baxter in 1978. The school magazine of that year records that I performed the role of a ‘diffident cleric’ (John’s penchant for finding interesting characters to play priestly roles continued unabated…) and the future Rector of Grey, Neil Crawford,  that of a ‘bullying sergeant’…. The following year we were both, by chance, in London and noticed that ‘See How they Run’ was on at the Greenwich Theatre. Off we went to the matinee where Neil proceeded to keep the cast on their toes by reciting the words to the audience - before they were uttered on stage. Not everyone around him appreciated hearing the play in stereo and told him so in no uncertain terms. To the relief of all, he sank back into his seat, folded his arms and allowed the cast to get on with it.

'Barcelona! ...'
Would anyone who saw it, ever forget Dave Schenck, a burly front row forward and Director of Discipline in the school, belting out Freddie Mercury’s ‘Barcelona’ in the 2001 staff production of ‘Twentieth Century Rox’? Or that incident in ‘Caught Napping’ reported in the 1996 magazine where Biology teacher Margie Fisher, with a carrot in her mouth, her hands bound behind her back was ‘hurled off the stage in a wheelbarrow and ended up at the feet of the astonished  front row audience’. And it must be said, an equally astonished and concerned cast. To the credit of the acting ability of the teachers, most of the audience thought this was part of the play!

In conjunction with Daphne Jubber, John Baxter’s return to the school in 1995 immediately saw a revival in dramatic productions. Brian Botha brought his talents to a number of musicals which have become legendary in Wynberg’s history:‘Paint your Wagon’(1994),‘Magic of Broadway’(1998), ‘Grease’(2002),‘Guys and Dolls’(2004)and‘Chicago’(2008). John Baxter died in 2006 as he was about to embark on ‘Summer Holiday’ but the school was fortunate that Daphne Jubber volunteered to step into the breach and help out.
Paint Your Wagon, 1994
In 2000, there was an unexpected consequence during the rehearsals of ‘That’s Entertainment’. A Grade 11 boy, who had an hour’s detention ahead of him, was sent to help to sweep the stage one afternoon by the Backstage Manager, Leon Kruger. Bored with that task, he soon became so absorbed by the rehearsal on stage that he asked if there was a part for him. Brian Botha duly obliged (‘very reluctantly’ he admitted years later…) and the rest is history with Graham Watkins going on to realise a career in singing. In 2009, we were proud to support Graham in the National Finals of ‘Idols’.

In the spirit of all that has gone before, it was with great anticipation that we attended the opening night on Saturday 28 July 2012 of ‘How to Succeed in Business without Really Trying’.  After nine months of preparation, actors and actresses from the Wynberg Campus put on this testing musical. Recently produced on Broadway with Daniel Radcliffe, this satirical look at the world of business was brought to the Wynberg stage by Keenan Oliphant and Kathryn Luyt - with Daphne Jubber once again overseeing the choreography and Justin Wardle taking on the role of Musical Director.

The first night audience was not disappointed. The casting had obviously been done with great thought, because all 80 actors and actresses on stage sang and danced and acted like seasoned professionals. It was a stunning production. Anthony Sparrow’s towers set the scene and all involved in the production rose to the occasion. The audience followed suit and spontaneously rose to their feet to applaud after the signature tune of ‘Brotherhood of Man’ concluded the show.

The cast deserved it.

It was not long before the first emails came in:

‘Definitely a "Gold"!

Photo courtesy Mike Leresche
I was not too impressed with having to go out on a Saturday night to school . I did not take too long to get up from that slump because I then enjoyed what I probably rate as the best school production I have had the pleasure of watching.  To give you an indication of the high rating  -  I was awake for the whole show and enjoyed every minute.  And this is from someone who slept through Cats in London, fell asleep at U2 at the Cape Town Stadium – as well as the Pink Floyd Concert….’

‘We really enjoyed the show and could not get over how professional it was.’

‘It blew me away’.

Photo courtesy Mike Leresche
‘It made my evening. How did they get schoolchildren to perform like that?’

‘I just can’t get those tunes from the play out of my head!’

‘There was nothing like this in my day in the ‘50’s at Wynberg Girls’ High.  We even had to act the boys’ parts!’ 

‘It was really heart-warming to see Sportsmen, Academics and Service boys all embrace the inner-Culture in true Wynberg style and take to the stage with such enthusiasm and energy.’

‘I was proud to be a Wynberg parent on Saturday night.’

So was I.  And I am sure that Erica Tasker would have said the same if she could have seen what her school’s drama department was producing 70 years later.

Photo courtesy Mike Leresche
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